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<channel>
	<title>Wi Yejin</title>
	<link>https://wiyejin.cargo.site</link>
	<description>Wi Yejin</description>
	<pubDate>Thu, 07 Nov 2024 04:08:08 +0000</pubDate>
	<generator>https://wiyejin.cargo.site</generator>
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		<title>Wanwan</title>
				
		<link>https://wiyejin.cargo.site/Wanwan</link>

		<pubDate>Wed, 06 Nov 2024 12:42:34 +0000</pubDate>

		<dc:creator>Wi Yejin</dc:creator>

		<guid isPermaLink="true">https://wiyejin.cargo.site/Wanwan</guid>

		<description>
	
Wanwan blends the robust structure of old sans serif styles (Min-Buri) with the nimble curves of serif styles (Buri). With elegantly exaggerated dense centres and elongated vowels, it also deliberately introduces the small inky beaks of the phototypesetting era to add a touch of imaginary nostalgia. The typeface aims to embody a synergy of rigour, playfulness, nostalgia, and eccentricity. Therefore, Wanwan is appropriate for a range of display applications, such as serious manifestos, practical hobby book titles, sophisticated essays, and poetic classics.
Wanwan has won Gold Prize in Morisawa Type Competition, Hangul part, in 2025. The completed display family expands from Bold to Hairline.&#38;nbsp;

(Work in progress)
	서체 완완은 옛 민부리체의 견고한 구조와 부리체의 날렵한 곡선을 결합했습니다. 조밀한 중앙부와 길게 뻗은 모음이 특징인 서체 완완은 사진식자 시대의 활자들이 갖고 있는 작은 인쇄여분띠를 의도적으로 도입하여 가상의 향수를 불러일으킵니다. 이 서체는 엄격하면서도 장난스럽고, 향수를 불러일으키면서도 기발한 면이 있는 복합적인 인상을 구현합니다. 완완은 진지한 선언문, 실용적인 취미 서적 제목, 세련된 에세이, 서정적인 고전 등 다양한 제목용 목적에 적합합니다.

완완은 2025년 모리사와 컴페티션에서 한글 부문 금상을 수상했습니다.&#38;nbsp;완완 볼드는 현재 개발 중입니다. 완성된 제목용 제품군의 굵기는 볼드부터 헤어라인까지를 포함합니다..&#38;nbsp;

(제작중)


&#60;img width="2250" height="2813" width_o="2250" height_o="2813" data-src="https://freight.cargo.site/t/original/i/4085d7baaa1ceb6cb1ba38a87878171c9485b108c52eeee30ceaf905e74c81f8/instagram2025-11-122.png" data-mid="240530342" border="0"  src="https://freight.cargo.site/w/1000/i/4085d7baaa1ceb6cb1ba38a87878171c9485b108c52eeee30ceaf905e74c81f8/instagram2025-11-122.png" /&#62;
&#60;img width="2250" height="2813" width_o="2250" height_o="2813" data-src="https://freight.cargo.site/t/original/i/be3ea0d19524c011b2531a3f0d882ee1841b74ec85a8e3eb019b421197e5f869/instagram2025-11-12.png" data-mid="240530341" border="0"  src="https://freight.cargo.site/w/1000/i/be3ea0d19524c011b2531a3f0d882ee1841b74ec85a8e3eb019b421197e5f869/instagram2025-11-12.png" /&#62;
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	<item>
		<title>Juksun</title>
				
		<link>https://wiyejin.cargo.site/Juksun</link>

		<pubDate>Wed, 06 Nov 2024 12:42:35 +0000</pubDate>

		<dc:creator>Wi Yejin</dc:creator>

		<guid isPermaLink="true">https://wiyejin.cargo.site/Juksun</guid>

		<description>
	* Juksun has won the 8th Hangul Text Typeface Creation Support, which is sponsored by the Bang-Il-Young Foundation and the Korean Society of Typography. Beta version has been released on Sandollcloud in March 2025, and the final release is scheduled for September 2025. Juksun aims to be expanded to two weights; Regular and Light, and three scripts; Hangul, Latin alphabet, and Hanja, the Korean ideographic character.
See the related article&#38;nbsp;▷▷▷

	* 죽순은 방일영재단이 후원하고 한국타이포그라피학회가 주관하는 제8회 한글꼴창작지원사업 선정작입니다. 2025년 3월 산돌구름에 베타 버전이 출시되었고, 최종 버전은 9월에 출시될 예정입니다. 죽순은 Regular, Light 두 가지 굵기와 한글, 라틴 알파벳, 한국 한자 세 가지 문자로 패밀리를 확장하는 것을 목표로 하고 있습니다.
관련 인터뷰 기사 보러가기 ▷▷▷



&#60;img width="2667" height="750" width_o="2667" height_o="750" data-src="https://freight.cargo.site/t/original/i/2754225f20a438c226c84fb79b6b5e0f9a30ed2a72b9bbc29cd5ad28eb4921f5/title.png" data-mid="221280453" border="0"  src="https://freight.cargo.site/w/1000/i/2754225f20a438c226c84fb79b6b5e0f9a30ed2a72b9bbc29cd5ad28eb4921f5/title.png" /&#62;
	
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	Juksun, which means bamboo shoot in Korean, is a typeface for body text resembling the lean and lively look of a bamboo forest. The original drawing of Juksun began with a request for a body typeface with a straight, robust, and sharp impression.The crispness of this typeface has both contemporary sharpness and traditional elements from Korean woodblock prints. The terminal cuts borrow their angles from the historical Hangul woodcut letterforms, as well as the Chinese ideographic character style, Fang Song Ti.

Another distinctive feature of the typeface is the different sizes of characters. Characters with fewer strokes, such as ‘그’ and ‘의’, take up relatively small areas, while more complex characters, such as ‘를’ and ‘월’, take up much larger areas. These subtle jaggies are rare attributes in contemporary sans serif Hangul typefaces created with digital tools. However, this typeface was designed with the expectation that such unevenness would not only make it easier to read on screen, but would also add a unique vibrancy to the typeface.


	
	죽순은 대나무 숲의 힘차고 날렵한 인상을 닮은 본문용 서체로, 어린 대나무를 뜻하는 단어에서 이름을 따왔습니다. 죽순은 시원시원하면서도 견고하고 날카로운 인상의 본문용 서체에 대한 수요가 있으리라는 생각에서 출발했습니다.죽순은 현대적인 또렷함과 한국 목판화에서 차용한 전통적인 요소를 함께 갖추고 있습니다. 획의 끄트머리 부분은 한글 목판본에서 보이는 날카로운 획의 형태와 중국 방송체에서 보이는 획의 각도에서 영감을 받았습니다.

죽순의 또 다른 눈에 띄는 특징은 작아야 하는 글자들은 작게 그려지고, 커야 하는 글자들은 크게 그려졌다는 점입니다. 그 결과 개별 문자들의 크기가 각기 다릅니다. '그', '의'와 같이 획수가 적은 글자는 상대적으로 작은 면적을 차지하고, '를', '월'과 같이 복잡한 글자는 훨씬 더 큰 면적을 차지합니다. 이러한 미묘한 들쭉날쭉함은 디지털 도구로 만든 현대 민부리 한글 서체에서는 보기 드문 특성입니다. 이 서체는 이러한 불균질이 화면 위에서 글자를 읽으려는 독자의 눈을 잘 잡아둘 수 있을 뿐 아니라 서체에 생동감 있는 표정을 더할 수 있으리라는 가설에서 출발했습니다.


</description>
		
	</item>
		
		
	<item>
		<title>Fanfan</title>
				
		<link>https://wiyejin.cargo.site/Fanfan</link>

		<pubDate>Wed, 06 Nov 2024 12:42:36 +0000</pubDate>

		<dc:creator>Wi Yejin</dc:creator>

		<guid isPermaLink="true">https://wiyejin.cargo.site/Fanfan</guid>

		<description>
	
Myeongjo, one of Hangul typeface styles that were originally developed for small size text, has also gained its popularity as a display typeface in Korea for decades. Fanfan captures the delicate balance of it and sharpens it up to solely suitable for display usage on screen, and expands the weight axis.

(Work in progress)



	한글 명조(바탕)체 스타일은 본디 본문용으로 개발되었지만 한국에서 수십년간 제목용으로도 인기를 누려왔습니다. 환환은 이 스타일이 가진 미묘한 균형을 디지털 환경에서 제목용으로 쓰기에 적합하도록 더 섬세하고 날카롭게 다듬었습니다. 뿐만 아니라 굵기도 확장했습니다.
(제작중)



&#60;img width="2667" height="750" width_o="2667" height_o="750" data-src="https://freight.cargo.site/t/original/i/9f3a3552236f32428b708bab8c82e60bf158a97eced2b5f2bffc914afb936924/title.png" data-mid="221282972" border="0"  src="https://freight.cargo.site/w/1000/i/9f3a3552236f32428b708bab8c82e60bf158a97eced2b5f2bffc914afb936924/title.png" /&#62;&#60;img width="2667" height="750" width_o="2667" height_o="750" data-src="https://freight.cargo.site/t/original/i/f3b7b52f851dff8994b90f802fdd4263a4a0c4c1bdef502190f07f2b8ce72ed9/title3.png" data-mid="221282986" border="0"  src="https://freight.cargo.site/w/1000/i/f3b7b52f851dff8994b90f802fdd4263a4a0c4c1bdef502190f07f2b8ce72ed9/title3.png" /&#62;&#60;img width="2667" height="750" width_o="2667" height_o="750" data-src="https://freight.cargo.site/t/original/i/7540f36bbd16ca0cbe625acd88c49697ce3ef48692398f0843fa6e903cce0ad8/title2.png" data-mid="221282980" border="0"  src="https://freight.cargo.site/w/1000/i/7540f36bbd16ca0cbe625acd88c49697ce3ef48692398f0843fa6e903cce0ad8/title2.png" /&#62;&#60;img width="2667" height="750" width_o="2667" height_o="750" data-src="https://freight.cargo.site/t/original/i/105aae70fc06feced4c0143b25705fc8770a483be36cc3055cb7b8b1a168a817/title4.png" data-mid="221282993" border="0"  src="https://freight.cargo.site/w/1000/i/105aae70fc06feced4c0143b25705fc8770a483be36cc3055cb7b8b1a168a817/title4.png" /&#62;&#60;img width="2667" height="750" width_o="2667" height_o="750" data-src="https://freight.cargo.site/t/original/i/e090458f79cabe721a39114334b5580d15270e5f5671ad5663f736c59b4d2019/title5.png" data-mid="221283001" border="0"  src="https://freight.cargo.site/w/1000/i/e090458f79cabe721a39114334b5580d15270e5f5671ad5663f736c59b4d2019/title5.png" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Kirogi</title>
				
		<link>https://wiyejin.cargo.site/Kirogi</link>

		<pubDate>Wed, 06 Nov 2024 12:42:36 +0000</pubDate>

		<dc:creator>Wi Yejin</dc:creator>

		<guid isPermaLink="true">https://wiyejin.cargo.site/Kirogi</guid>

		<description>
	
* Kirogi was a submission in partial fulfilment of the requirements for MATD 22/23 at the University of Reading.The initial inspiration for Kirogi was the image of barren winter plum branches stretching upwards against a pale winter sky. This typeface captures the serene atmosphere while honouring the conventions and traditions of each script: Latin alphabelt, Arabic, Hangul, and Hanja. The lighter weights add a touch of icy contrast while the heavier weights acquiring a more ornate flourish.

Kirogi is a display serif typeface designed for elegant contexts, with multi-script capabilities that encompass Latin, Arabic, and East Asian scripts. Its versatility makes it ideal for displaying multicultural exhibitions, museums, events catering to individuals from various backgrounds, and translated classics.

(2023)


	* 기러기는 레딩 대학교 서체 디자인 석사과정 (2022-2023)의 졸업 요건을 부분적으로 충족하는 졸업작품입니다.


기러기는 창백한 겨울 하늘로 뻗어나가는 마른 겨울 매화 가지의 이미지에서 영감을 얻었습니다. 기러기는 라틴 알파벳, 아랍어, 한글, 한자 네 가지 문자 각각의 관습과 전통을 존중하면서도 겨울 하늘의 고요한 분위기를 포착합니다. 가는 웨이트에서는 얼음처럼 빛나는 대비를, 굵은 웨이트에서는 상대적으로 훨씬 장식적이고 풍부한 표현을 보여줍니다.

기러기는 라틴 알파벳과 아랍 문자, 그리고 동아시아 문자 등 다국어를 지원하면서 서정적인 맥락에서 큰 크기로 쓰이기 위해 제작된 제목용 서체입니다. 박물관 전시, 다양한 배경을 가진 사람들을 위한 다문화 행사, 고전 번역서 등에서 다용도로 활용할 수 있습니다.
(2023)


&#60;img width="2667" height="750" width_o="2667" height_o="750" data-src="https://freight.cargo.site/t/original/i/0aceb4513f6c20dbba81d79bcb34a39f879e106c5e6eab0db9f73b220ac72d52/title.png" data-mid="221283776" border="0"  src="https://freight.cargo.site/w/1000/i/0aceb4513f6c20dbba81d79bcb34a39f879e106c5e6eab0db9f73b220ac72d52/title.png" /&#62;

&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/736e29be91365e42d91b5e90fd04085094c15c01c93e27d27c3ad87cd2de4344/Kirogi_2.png" data-mid="221281567" border="0"  src="https://freight.cargo.site/w/1000/i/736e29be91365e42d91b5e90fd04085094c15c01c93e27d27c3ad87cd2de4344/Kirogi_2.png" /&#62;
&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/072a7227e4d27c2822def82cbdfae00927af4ad604f96f88baf473262844a7b2/Kirogi_3.png" data-mid="221281568" border="0"  src="https://freight.cargo.site/w/1000/i/072a7227e4d27c2822def82cbdfae00927af4ad604f96f88baf473262844a7b2/Kirogi_3.png" /&#62;
&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/20a0b246666a8b56ca32f5472863fcf866a468adec1f0f23c57cbaa7dd5cc1b3/Kirogi_4.png" data-mid="221281569" border="0"  src="https://freight.cargo.site/w/1000/i/20a0b246666a8b56ca32f5472863fcf866a468adec1f0f23c57cbaa7dd5cc1b3/Kirogi_4.png" /&#62;
&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/c6248844b8efeeaf1231e20da7692884700dd1b7479733d419821b3f6dbb45cd/Kirogi_5.png" data-mid="221281570" border="0"  src="https://freight.cargo.site/w/1000/i/c6248844b8efeeaf1231e20da7692884700dd1b7479733d419821b3f6dbb45cd/Kirogi_5.png" /&#62;
&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/b16a1174a37dc41111084bff42615c0702115cd41d204774507bf7869203e588/Kirogi_6.png" data-mid="221281571" border="0"  src="https://freight.cargo.site/w/1000/i/b16a1174a37dc41111084bff42615c0702115cd41d204774507bf7869203e588/Kirogi_6.png" /&#62;
&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/cd62a42de16ae4f508dcfd323aae422b0d319a66b426f12bd471715c8f93106e/Kirogi_7.png" data-mid="221281572" border="0"  src="https://freight.cargo.site/w/1000/i/cd62a42de16ae4f508dcfd323aae422b0d319a66b426f12bd471715c8f93106e/Kirogi_7.png" /&#62;
&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/8f5d52ef95b024683a35b8ea16c6d585e6fc893c867e86c1c675f226e89bd31d/Kirogi_8.png" data-mid="221281573" border="0"  src="https://freight.cargo.site/w/1000/i/8f5d52ef95b024683a35b8ea16c6d585e6fc893c867e86c1c675f226e89bd31d/Kirogi_8.png" /&#62;
&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/97bc7a889367679342cf072171443345847bd3972efe2f5279b5bd9ceae0547b/Kirogi_9.png" data-mid="221281575" border="0"  src="https://freight.cargo.site/w/1000/i/97bc7a889367679342cf072171443345847bd3972efe2f5279b5bd9ceae0547b/Kirogi_9.png" /&#62;
&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/8a64499df6baeee4d1abf0511caef468f460f89f3e86fdb4fb57b17df5e37654/Kirogi_10.png" data-mid="221281576" border="0"  src="https://freight.cargo.site/w/1000/i/8a64499df6baeee4d1abf0511caef468f460f89f3e86fdb4fb57b17df5e37654/Kirogi_10.png" /&#62;
&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/6cf718870ae84710e02d055f498faabdb2d4455c0388db7cf1e44fa5a514d396/Kirogi_11.png" data-mid="221281577" border="0"  src="https://freight.cargo.site/w/1000/i/6cf718870ae84710e02d055f498faabdb2d4455c0388db7cf1e44fa5a514d396/Kirogi_11.png" /&#62;
&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/f9983039c5ed3e6fd04f5115b92b849f11eee1721ef900dd4f86ff3c002994a6/Kirogi_12.png" data-mid="221281579" border="0"  src="https://freight.cargo.site/w/1000/i/f9983039c5ed3e6fd04f5115b92b849f11eee1721ef900dd4f86ff3c002994a6/Kirogi_12.png" /&#62;
&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/2bc446417e1136dcaa4148dbc8464b3786e25139923fda7ba64d78a73560c3a2/Kirogi_13.png" data-mid="221281580" border="0"  src="https://freight.cargo.site/w/1000/i/2bc446417e1136dcaa4148dbc8464b3786e25139923fda7ba64d78a73560c3a2/Kirogi_13.png" /&#62;
&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/13d6ec9d57b1b68383b603c64684985a0e40580d8f9f345f8f73ac01dc0c6e5c/Kirogi_14.png" data-mid="221281581" border="0"  src="https://freight.cargo.site/w/1000/i/13d6ec9d57b1b68383b603c64684985a0e40580d8f9f345f8f73ac01dc0c6e5c/Kirogi_14.png" /&#62;
&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/a45fc13e5081e1b34ed523a59a46282ba6cb0b8744037bce3450ebb4c0e796ad/Kirogi_15.png" data-mid="221281582" border="0"  src="https://freight.cargo.site/w/1000/i/a45fc13e5081e1b34ed523a59a46282ba6cb0b8744037bce3450ebb4c0e796ad/Kirogi_15.png" /&#62;
&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/bc74b1084cd3996ae47e99727b268ae26091130a847bd430abdebeb2d2c89017/Kirogi_16.png" data-mid="221281583" border="0"  src="https://freight.cargo.site/w/1000/i/bc74b1084cd3996ae47e99727b268ae26091130a847bd430abdebeb2d2c89017/Kirogi_16.png" /&#62;
&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/0ab0cd933619563f3f2d2524cf81d1a28ef81058a0268978a14347c8c79ede1e/Kirogi_17.png" data-mid="221281584" border="0"  src="https://freight.cargo.site/w/1000/i/0ab0cd933619563f3f2d2524cf81d1a28ef81058a0268978a14347c8c79ede1e/Kirogi_17.png" /&#62;
&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/a2537ec1d2316dd9cad09f6eee06e159c67bd8fc8fde1bef65a13afe10ae7ed7/Kirogi_19.png" data-mid="221281586" border="0"  src="https://freight.cargo.site/w/1000/i/a2537ec1d2316dd9cad09f6eee06e159c67bd8fc8fde1bef65a13afe10ae7ed7/Kirogi_19.png" /&#62;
&#60;img width="4267" height="3200" width_o="4267" height_o="3200" data-src="https://freight.cargo.site/t/original/i/e2c180a9c9197738c3af43dce0149397f9de249ddf371acba74e6263e59101d4/Kirogi_18.png" data-mid="221281585" border="0"  src="https://freight.cargo.site/w/1000/i/e2c180a9c9197738c3af43dce0149397f9de249ddf371acba74e6263e59101d4/Kirogi_18.png" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Panpan</title>
				
		<link>https://wiyejin.cargo.site/Panpan</link>

		<pubDate>Wed, 06 Nov 2024 17:26:35 +0000</pubDate>

		<dc:creator>Wi Yejin</dc:creator>

		<guid isPermaLink="true">https://wiyejin.cargo.site/Panpan</guid>

		<description>
	Panpan(2020) is a sketch for a display sans serif(Min-buri) style Hangul typeface. The letterforms are characterised by their squarish shapes with a solid perimeter and a relatively loose centre.
(2020)


	판판(2022)은 제목용 민부리계열 서체를 위한 스케치입니다. 서체의 외곽부가 견고하고 중앙부가 상대적으로 비고 느슨한 꽉 찬 사각형의 구조가 특징적인 서체입니다.
(2020)


&#60;img width="2667" height="750" width_o="2667" height_o="750" data-src="https://freight.cargo.site/t/original/i/a40742fbc6ec861e55afecc320b04eec6d559719ccfbd677a6fc16738c2426f8/title.png" data-mid="221286950" border="0"  src="https://freight.cargo.site/w/1000/i/a40742fbc6ec861e55afecc320b04eec6d559719ccfbd677a6fc16738c2426f8/title.png" /&#62;&#60;img width="2667" height="750" width_o="2667" height_o="750" data-src="https://freight.cargo.site/t/original/i/f947e8134d013812b6fb0e904fdaf176928c139aa5cb8db99e6f7dd1c879eda0/title2.png" data-mid="221286951" border="0"  src="https://freight.cargo.site/w/1000/i/f947e8134d013812b6fb0e904fdaf176928c139aa5cb8db99e6f7dd1c879eda0/title2.png" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>OO museum 02</title>
				
		<link>https://wiyejin.cargo.site/OO-museum-02</link>

		<pubDate>Thu, 07 Nov 2024 04:08:08 +0000</pubDate>

		<dc:creator>Wi Yejin</dc:creator>

		<guid isPermaLink="true">https://wiyejin.cargo.site/OO-museum-02</guid>

		<description>
	I wrote an article for&#38;nbsp;Noname Press' 『O Museum 02: Chu Kyo-eun's Letter Book』.

『O Museum 02: Chu Kyo-eun's Letter Book』

70×100×22(mm), 400 pages, exposed binding'His letters may be something as casual like a daily meal, but they are also precious and nostalgic street art for someone. As past traces are disappearing rapidly, perhaps all we can do is to closely observe and record the time and space we live in to create new connections.' (quote from the proposal, Suyeon Park)

'The irregular parabolic outlines are the curvature of an improvisational wrist rotation while holding a sharp tool on a slippery surface. A closer look at those letters however reveals not only a completely spontaneous movement, but also a certain amount of intentional stylization.' (quote from the article, Yejin Wi)

Planning and publishing. NO-NAME PRESS (Jang Youngwoong, Park Suyeon)Contributed article. Yejin Wee @000yejin000
Editing and design. Park Sooyeon @about.sy Jang Youngwoong @janghero Oh Yunsung @marine.drift



	노네임프레스의 『OO박물관 02 : 추교은 글자 도감』의 글을 썼습니다.
『OO박물관 02 : 추교은 글자 도감』70×100×22(mm), 400page, 노출사철제본‘그의 글자는 밥 한 끼처럼 부담 없는 것일 수 있지만, 누군가에게는 정서적 장소로 기능할 수 있는 귀한 거리 예술이기도 하다. 여러 흔적이 사라지고 있는 가운데 우리가 할 수 있는 일은 우리가 살고 있는 시공간을 긴밀히 관찰하고 기록하여 새로운 연결을 만들어내는 일일 테다.’ (기획의 글 발췌)
‘불규칙한 포물선의 외곽선들은 미끄러운 매체 위에서 날카로운 도구를 들고 즉흥적으로 손목을 회전할 때 생길 법한 곡률이기도 하다. ・・・ 글자를 조금 더 관찰하면 이 레터링이 완전히 즉흥적이고 자유분방한 움직임만으로 쓰인 글씨인 것이 아니라, 어느정도 의도적으로 뚜렷하게 양식화한 부분이 있다는 점도 보인다.’ (논고 발췌, 위예진 활자 디자이너)기획 및 발행. 노네임프레스 (NO-NAME)PRESS (장영웅, 박수연)기고. 위예진 @000yejin000편집 및 디자인. 박수연 @about.sy 장영웅 @janghero 오윤성 @marine.drift




    


&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/bd25db32b3883f577f69677040774d2787346ac5288b2380d1c41fe8dd053a87/457556323_18102787426427148_7417620067487233191_n.jpg" data-mid="221310908" border="0"  src="https://freight.cargo.site/w/1000/i/bd25db32b3883f577f69677040774d2787346ac5288b2380d1c41fe8dd053a87/457556323_18102787426427148_7417620067487233191_n.jpg" /&#62;
&#60;img width="1080" height="1079" width_o="1080" height_o="1079" data-src="https://freight.cargo.site/t/original/i/d622684bf10dd9ba3a5eab001f22ad3ce4937453385f97077126327878bb0584/457213660_18102787408427148_9175727803726705981_n.jpg" data-mid="221310907" border="0"  src="https://freight.cargo.site/w/1000/i/d622684bf10dd9ba3a5eab001f22ad3ce4937453385f97077126327878bb0584/457213660_18102787408427148_9175727803726705981_n.jpg" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/84726e6cbb8feb8aa6f71ebd096ae4eb2f553bd9c7b65a8bf4cc32678f880d2d/457609163_18102787417427148_5795719903806511248_n.jpg" data-mid="221310909" border="0"  src="https://freight.cargo.site/w/1000/i/84726e6cbb8feb8aa6f71ebd096ae4eb2f553bd9c7b65a8bf4cc32678f880d2d/457609163_18102787417427148_5795719903806511248_n.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Amnesty 23 May</title>
				
		<link>https://wiyejin.cargo.site/Amnesty-23-May</link>

		<pubDate>Wed, 06 Nov 2024 17:27:13 +0000</pubDate>

		<dc:creator>Wi Yejin</dc:creator>

		<guid isPermaLink="true">https://wiyejin.cargo.site/Amnesty-23-May</guid>

		<description>
	I drew the title lettering of Amnesty International Korea's Impact Report 22/23.

The report was designed by Scenery of Today.
(2023)


	국제앰네스티 한국지부 임팩트 리포트22/23의 제호를 레터링했습니다.&#38;nbsp;

오늘의풍경이 리포트를 디자인했습니다.
(2023)

&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/359913cfea3915c58b87830869a35560ad874f92a81cab850b062c60d9a26fdf/---22-23---22-23--.jpg" data-mid="221287860" border="0"  src="https://freight.cargo.site/w/1000/i/359913cfea3915c58b87830869a35560ad874f92a81cab850b062c60d9a26fdf/---22-23---22-23--.jpg" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/94e4975e2ecce159e254b045cd734555ef984a8f7179539b37947ef847e72245/---22-23---22-23---2.jpg" data-mid="221287859" border="0"  src="https://freight.cargo.site/w/1000/i/94e4975e2ecce159e254b045cd734555ef984a8f7179539b37947ef847e72245/---22-23---22-23---2.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/cfe49c2a3e1ef68cf00eb37b5868517f9499eca7c26743988681fc9594f7fdda/-----..jpg" data-mid="221287858" border="0"  src="https://freight.cargo.site/w/1000/i/cfe49c2a3e1ef68cf00eb37b5868517f9499eca7c26743988681fc9594f7fdda/-----..jpg" /&#62;
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		<title>Amnesty 23 Aug</title>
				
		<link>https://wiyejin.cargo.site/Amnesty-23-Aug</link>

		<pubDate>Wed, 06 Nov 2024 17:27:15 +0000</pubDate>

		<dc:creator>Wi Yejin</dc:creator>

		<guid isPermaLink="true">https://wiyejin.cargo.site/Amnesty-23-Aug</guid>

		<description>
	I drew the title lettering of Amnesty International Korea's travelling exhibition &#38;lt;HUMAN RIGHTS, IN EVERYDAY LIFE&#38;gt;. 

Today's Scenery&#38;nbsp;designed the graphic identity for this exhibition. (2023)


	국제앰네스티 한국지부의 그림으로 만나는 세계인권선언 이동형 전시 &#38;lt;매일이 인권&#38;gt; 의 타이틀 제호를 레터링했습니다.&#38;nbsp;
오늘의풍경이 전시 아이덴티티 및 전시품목을 디자인했습니다.&#38;nbsp;
(2023)


 

    


&#60;img width="2880" height="1620" width_o="2880" height_o="1620" data-src="https://freight.cargo.site/t/original/i/6c47c5ca0753e8660e4eb9c2df2fa271c2a76ff722ace934ccd46b13e821fc63/topbanner-min.png" data-mid="221288573" border="0"  src="https://freight.cargo.site/w/1000/i/6c47c5ca0753e8660e4eb9c2df2fa271c2a76ff722ace934ccd46b13e821fc63/topbanner-min.png" /&#62;</description>
		
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		<title>About</title>
				
		<link>https://wiyejin.cargo.site/About</link>

		<pubDate>Wed, 06 Nov 2024 12:42:37 +0000</pubDate>

		<dc:creator>Wi Yejin</dc:creator>

		<guid isPermaLink="true">https://wiyejin.cargo.site/About</guid>

		<description>I am a communicative senior type designer, specialising in CJK scripts. I offer design, production, and consultancy on designing Hangul and Hanja scripts, based on many years of successful collaboration in East Asian regions.&#38;nbsp;
contact: wiyejin.mail@gmail.com

동아시아 문자를 다루고, 협업을 좋아하는 활자 제작자입니다. 
한중일 지역에서의 다년간의 협업 경험과 영미·유럽권에서의 네트워크, 그리고 한자 문화권과 라틴알파벳 문자권 타이포그래피 양쪽에 대한 폭넓은 이해를 바탕으로, 한글·한자·라틴알파벳 활자 제작 및 컨설팅을 제공합니다.  

 
 
문의: wiyejin.mail@gmail.com

	Work2024- Freelance. Seoul.
2022-2023 Geuljarang: project manager. Seoul.
2015-2021 Sandoll: type designer, team leader, product manager. Seoul.Education
-2023 University of Reading, Master’s Degree on Typeface Design Pathway. UK.-2015 Seoul National University, Bachelor of Fine Arts in Visual Communication Design. South Korea.Lectures
«ToBeDriven2025», Lecturer, Hyundai Autoever Seminar, 2025.09.12-2025.09.19.«FDSC 학당», Planning team, FDSC, 2020.&#38;nbsp;«밝은미래연구소: 포트폴리오 리뷰», Co-Lecturer with Hyungwon Ha, FDSC, 2020.«Friendly Neighborhoods Far Far Away», AtypI, 2020.«How to Collaborate in the Digital Era», T/SCHOOL by Korean Society of Typography, 2020.«Hangul Design Class», Co-Lecturer with Kyungsuk Kwon, New Media Contents Mirim Meister School. 2019.


	Awards, Exhibitions, Articles
Morisawa Type Competition Gold prize in Hangul, 2025.«The types of the foundries», artist: wiye.type,&#38;nbsp;PCO.SEOUL, 2025.07.18-2025.08.04.『OO박물관 02 : 추교은 글자 도감』, article, NO-NAME PRESS planned and published, 2024.Winner of the 8th Hangul typeface creation support, 2023.
Malee scholarship: special recognition, 2023.
Centenary scholarship of University of Reading, 2022.










«50 People, 50 Shapes», lettering, World congress of Korean language, 2020.










«40 Designers You Should Know», Presentation, The national museum of modern and contemporary art of Korea(MMCA), Asia project: Looking for another family, artist: FDSC(Feminist designer social club), 2020.

	주요 경력
2024- 프리랜서. 서울.&#38;nbsp;
2022-2023 글자랑: 프로젝트 매니저, 서울.
2015-2021 산돌: 활자 디자이너, 팀 리더, 프로덕트 매니저, 서울.

교육
-2023 레딩 대학교, 활자 디자인 과정 석사 학위. 영국. 
-2015 서울대학교, 시각디자인 학사 학위. 대한민국.&#38;nbsp;강의
«ToBeDriven2025», 강연, 현대오토에버, 2025.09.12-2025.09.19.«FDSC 학당», 강연기획팀, FDSC, 2020.&#38;nbsp;«밝은미래연구소: 포트폴리오 리뷰», 공동강연(하형원), FDSC, 2020.«Friendly Neighborhoods Far Far Away», AtypI, 2020.«디지털 시대에 함께 일하는 방법», T/SCHOOL 한국타이포그라피학회, 2020.«한글 디자인», 권경석과 공동강연, 미림 뉴미디어콘텐츠 마이스터 고등학교, 2019.


	수상, 전시, 저술
모리사와 타입 컴페티션 한글 부문 금상, 2025.«The types of the foundries», 아티스트 이름: 우이예, PCO.SEOUL, 2025.07.18-2025.08.04.『OO박물관 02 : 추교은 글자 도감』, 본문 기고, 노네임프레스 (NO-NAME)PRESS 기획 및 발행, 2024.한글꼴창작지원사업 수혜자, 한국타이포그라피학회와 방일영문화재단 주관. 2023.&#38;nbsp;말리 장학금 특별 선정자, 2023.레딩 대학교 100주년 장학금 선정자, 2022.«50인 50꼴», 레터링으로 참가, 세계한국어대회, 2020.«지금 주목해야 할 디자이너 40», 아티스트 이름 FDSC(페미니스트 디자이너 소셜 클럽), 아시아 프로젝트: 또다른 가족을 찾아서, 국립현대미술관, 2020.



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		<title>Homepage</title>
				
		<link>https://wiyejin.cargo.site/Homepage</link>

		<pubDate>Wed, 06 Nov 2024 12:42:37 +0000</pubDate>

		<dc:creator>Wi Yejin</dc:creator>

		<guid isPermaLink="true">https://wiyejin.cargo.site/Homepage</guid>

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